Further expanding the very broad scope of her work, Greiman often collaborates with architects on spaces and environments, with most of her contribution in the areas of color, finishes, and materials. She sees these three- and four-dimensional collaborations as yet another aspect of hybridizing, in which she considers ideas of integration of building and landscape, interior and exterior, inner and outer selves. Miracle Manor, a business and creative collaboration with architect Michael Rotondi, is an ideal forum for such explorations.
Greiman sees the site as an oportunity to explore her own personal interests in color, myth, symbolism, and space in real time. “The entire place is sort of a laboratory,” she notes, and one begins to realize that for Greiman, everything is a laboratory. From her investigations at the leading edge of the California New Wave to her pioneering work in digital media and hybrid processes, Greiman sets an example for future generations of designers to be willing to ask the questions that need to be asked.